235 Royalty-Free Audio Tracks for "Music Theory"

Haydn Symphony 82 1st movement bars 51-63

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

A MIDI recording of the first two bars of Fugue in C Minor, BWV 847, by J.S. Bach.

Mozart Piano Concerto K482 opening

Mozart Minuet from Trio K498, bars 94-100

Beethoven, Symphony 2 scherzo bars 1-8

Don Giovanni Overture bars 133-141 reduced score

Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)

Ratio between pitch and length of an organ pipe: octaves.

Piano Sonata, op. 111, first movement concluding bars

Bach Toccata in F, BWV 540 bars 197-207

Hammerklavier fugue subject, first four bars

Holberg Suite, prelude bars 31-4 string version

Franck Violin Sonata first movement, bars 1-8

Holberg Suite, prelude, bars 1-2, piano version

Minor version of the theme, with piano right hand elaborating the melody in triplets.

Octatonic bars from Sarabande from English Suite No 3

Debussy la Fille aux cheveux de lin, opening bars

The closing bars of String Quartet in E flat, Op. 33 by Haydn

Mozart, Symphony 41, finale, bars 190-199Mozart, Symphony 41, finale, bars 190-199

J.S.Bach from Cantata BWV80 "Ein' feste Burg ist unser Gott", Aria for soprano with oboe obbligato

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

Mahler Symphony 2 finale Fig 32, bars 4-10

Final statement of the theme in a major key by the horns after the end of the cadenza.

Don Giovanni Overture bars 133-141 violins and bass only

Mozart, Don Giovanni dances from act 1, scene 5

Gary Adams, File was created using Scala to convert a sequence file of the major intervals in equal temperament to midi. It was then converted to an ogg file.

Handel Passacaille from Suite in G minor bars 1-4

Holberg Suite, Prelude bars 31-4 piano version

Holberg Suite prelude bars 1-2 string version

Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.

Debussy, La Fille aux cheveux de lin, bars 26-29

Mozart Jupiter Finale, bars 389-396

Piano Sonata Op 28, Scherzo, developent section

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

Wagner, Gotterdamerung, transition between the end of the Prologue and Act 1 scene 1

Beethoven Scherzo from String Quartet Op 18 No 6

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

A sample of clean versus buzz sound (E) on electric guitar. Un exemple de corde qui frise (mi) sur une guitare électrique.

Beethoven Piano Sonata 21, 1st movement, bars 78-84

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Haydn Piano Sonata in C minor, first movement, bars 5-8

Piano Sonata No. 21, 1st movement, second subject

Mahler, Symphony No. 6, Scherzo, Figure 55, bars 5-12

Hammerklavier fugue subject, retrograde version, last four bars

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked lowest octave. Created by Hyacinth (talk) 07:51, 3 January 2012 (UTC) using Sibelius 5.

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Haydn String Quartet Op. 76 No. 3, second movement, bars 80-81